CROSSING THE LINE
01 AISAN KIANMEHR, VERITAS ARCHITECTS, KUALA LUMPUR CROSSING THE LINE BY DRAWING THE LINE OUT OF THE SPHERE OF IMAGINATION
02 ARASH SALEK URBAN IDENTITY OF MIDDLE EASTERN CITIES POST-STRUCTURAL CONCEPTS IN A TRADITIONAL REGION
03 BRIAN DOUGAN, AMERICAN UNIVERSITY OF SHARJAH, COLLEGE OF ARCHITECTURE, ART & DESIGN BEYOND VISUAL DRAWING AS A TRANSDISCIPLINARY PRACTICE
04 MAZDAK MOJDEHI, KTH ROYAL INSTITUTE OF TECHNOLOGY STOCKHOLM, SWEDEN, SUSTAINED INSTABILITY
05 AUREL VON RICHTHOFEN, GERMAN UNIVERSITY OF TECH. IN OMAN THE “WAVE-BREAKER”– A NOVEL APPROACH TO COMPUTER AIDED DESIGN (CAD) REPRESENTATION
06 AZADEH MALEKI A STUDY OF THE SYMBOLISM IN IRANIAN PAINTINGS WITH AN ORIENTATION OF PROPHET’S ASCENSION
07 DR. AMI J. ABOU-BAKR, KING’S COLLEGE LONDON THE POLITICAL IMPLICATIONS OF MAP ‘DRAWINGS’ ON THE MIDDLE EAST
08 KELLY CHORPENING, CAMBERWELL COLLEGE OF ARTS, UNIVERSITY OF THE ARTS, LONDON, BACK TO THE DRAWING BOARD
09 MARYCLARE FOA SOUNDING WAVES: DRAWING INTO THE MIND’S EYE.
DRAWING AS AN INTERSECTION
10 MARIAM MOJDEHI GRAFFITI & PUBLIC SPACE–3 CONTEMPORARY CASE STUDIES IN THE MIDDLE EAST
DRAWING: A PORTRAIT AND LANDSCAPE, NOTATIONS OF OUR TIME
11 SUTAPA BISWAS, CHELSEA COLLEGE OF ART & DESIGN, UNIVERSITY OF THE ARTS, LONDON DRAWING SUBJECTIVE PERSPECTIVES – TIME IN THE CONTEXT OF VISUAL BEING.
12 JULIA TOWNSEND, AMERICAN UNIVERSITY IN DUBAI EASTERN AND WESTERN PARADIGMS IN DRAWING: KORANIC ILLUMINATION VERSUS THE PICTURE PLANE
13 BRIAN DOUGAN AMERICAN UNIVERSITY OF SHARJAH BEYOND VISUAL
14 CHRISTOS HADJICHRISTOS UNIVERSITY OF CYPRUS LAYERING IS NOT
02 ARASH SALEK URBAN IDENTITY OF MIDDLE EASTERN CITIES POST-STRUCTURAL CONCEPTS IN A TRADITIONAL REGION
03 BRIAN DOUGAN, AMERICAN UNIVERSITY OF SHARJAH, COLLEGE OF ARCHITECTURE, ART & DESIGN BEYOND VISUAL DRAWING AS A TRANSDISCIPLINARY PRACTICE
04 MAZDAK MOJDEHI, KTH ROYAL INSTITUTE OF TECHNOLOGY STOCKHOLM, SWEDEN, SUSTAINED INSTABILITY
05 AUREL VON RICHTHOFEN, GERMAN UNIVERSITY OF TECH. IN OMAN THE “WAVE-BREAKER”– A NOVEL APPROACH TO COMPUTER AIDED DESIGN (CAD) REPRESENTATION
06 AZADEH MALEKI A STUDY OF THE SYMBOLISM IN IRANIAN PAINTINGS WITH AN ORIENTATION OF PROPHET’S ASCENSION
07 DR. AMI J. ABOU-BAKR, KING’S COLLEGE LONDON THE POLITICAL IMPLICATIONS OF MAP ‘DRAWINGS’ ON THE MIDDLE EAST
08 KELLY CHORPENING, CAMBERWELL COLLEGE OF ARTS, UNIVERSITY OF THE ARTS, LONDON, BACK TO THE DRAWING BOARD
09 MARYCLARE FOA SOUNDING WAVES: DRAWING INTO THE MIND’S EYE.
DRAWING AS AN INTERSECTION
10 MARIAM MOJDEHI GRAFFITI & PUBLIC SPACE–3 CONTEMPORARY CASE STUDIES IN THE MIDDLE EAST
DRAWING: A PORTRAIT AND LANDSCAPE, NOTATIONS OF OUR TIME
11 SUTAPA BISWAS, CHELSEA COLLEGE OF ART & DESIGN, UNIVERSITY OF THE ARTS, LONDON DRAWING SUBJECTIVE PERSPECTIVES – TIME IN THE CONTEXT OF VISUAL BEING.
12 JULIA TOWNSEND, AMERICAN UNIVERSITY IN DUBAI EASTERN AND WESTERN PARADIGMS IN DRAWING: KORANIC ILLUMINATION VERSUS THE PICTURE PLANE
13 BRIAN DOUGAN AMERICAN UNIVERSITY OF SHARJAH BEYOND VISUAL
14 CHRISTOS HADJICHRISTOS UNIVERSITY OF CYPRUS LAYERING IS NOT
NJA MAHDOUAI TUNISIA
DR MARCELO GUIMARAES LIMA AMERICAN UNIVERSITY IN DUBAI
DR IRENE BARBERIS RMIT UNIVERSITY MELBOURNE
CO - CHAIRS
MIDDLE EASTERN CHAIR/S : DR MARCELO LIMA, PROFESSOR JULIA TOWNSEND
Crossing The Line Conference
is a collaboration between
The American University in Dubai, UAE
and
RMIT University, Melbourne, Australia
with the participation of
Tashkeel, Dubai
Timings:
Begins daily at 9:30 (click schedule below for further details)
Location:
C Buildng: Conference Room C227, 1st floor, Student Center,
American University in Dubai, Exit 32, Sheik Zayed Road
American University in Dubai, Exit 32, Sheik Zayed Road
Free Registration:
Please confirm your attendance to
No comments:
Post a Comment